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Things really aren't that much better on the mic- god bless RZA, but at this point, he's all but ignoring meter completely, flowing like a three-legged race. "Girl Samurai Lullaby" could pass for some touristy Reggae Sunsplash shit from the softest day in Shabba Ranks' 1992 "Nappy Afro" is a throwback to a time when trying to rip off She'kspeare was the quickest way to radio rotation.
There are a couple of ripe exceptions, notably "Dead Birds", which has System of a Down (well, the bassist at least) helping conjure an El-P-style dystopia, but you just spend three minutes wishing it was an actual El-P track.
But where RZA would weave each together into backdrops as bloody and vibrant as a freshly opened vein, here he's content to chop a sample and let it repeat every four bars, if not even more often than that, and it's hard to imagine anyone fighting to get the first crack. We've heard these elements before- Shaolin hand-block snare, steamy funk guitar, bass that hits like a depth charge of The Chronic. Sonically, it's not far from anything he did on Digi Snacks or Birth of a Prince- simultaneously too slick and digital to work towards his strengths, but not plush enough to suggest he could have anything but a Rik Cordero video treatment without Afro's attendant Kill Bill meets Boondocks animation. And really, RZA's too busy chopping it up at Guitar Center tech displays and on set with Russell Crowe to realistically compete with his past. This whole "return of the 90s!" thing could be mashed into a fine paste before it reaches outside of internet writing circles, but the main problem hip-hop isn't sharing with, say, Slumberland and noise-pop redos is that most of the artists trying to revive Clinton-era styles actually recorded during that time. However, if I'm to take the music as face value indicative of its inspiration, the two things I'd figure about Afro is that 1) He derives his power from some sort of headband, and 2) He was a lot better at doing what he does about 15 years ago. Due to RZA never really breaking character when choosing alter-egos/side projects, I expected something similar from Afro Samurai Resurrection, the follow-up to 2007's manga soundtrack Afro Samurai.
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But you didn't need to actually see the Forest Whitaker movie to know the record knocked something serious.
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